1 00:00:19,790 --> 00:00:23,490 It is our pleasure today to be of service in the following languages, 2 00:00:23,670 --> 00:00:25,350 French, Spanish, Portuguese. 3 00:00:47,820 --> 00:00:50,620 I think the last thing I expected was to find fans at the airport. 4 00:00:51,020 --> 00:00:54,320 It's not like we're Justin Timberlake or anything like that. 5 00:00:55,900 --> 00:00:59,140 Listen, we're musicians. It's not really that noble a pursuit. 6 00:01:00,480 --> 00:01:05,980 And if you can do something that touches someone like that, it's pretty mind 7 00:01:05,980 --> 00:01:06,980 -boggling to me. 8 00:01:07,260 --> 00:01:10,460 So I had actually arrived separately from the other guys coming in from 9 00:01:10,460 --> 00:01:11,940 California and they were coming in from Toronto. 10 00:01:12,240 --> 00:01:16,240 And thus I was able to avoid all the hoopla, which is fine for me. 11 00:01:16,780 --> 00:01:22,160 And we came into it all kind of open -minded, expecting anything, not knowing 12 00:01:22,160 --> 00:01:25,380 what might happen, technically what the circumstances of the concerts might be, 13 00:01:25,440 --> 00:01:29,640 or even how big the audiences might be. But it was the last three shows of the 14 00:01:29,640 --> 00:01:36,420 tour, and we had deliberately chosen to end on a kind of risky but exciting way. 15 00:01:51,760 --> 00:01:55,220 At the time of finishing Vapor Trails, we were kind of debating whether or not 16 00:01:55,220 --> 00:01:59,440 to tour, but decided, yeah, we'd do it one more time. And started, I guess, 17 00:01:59,480 --> 00:02:04,160 about April of 2002, I started rehearsing my parts in a warehouse in 18 00:02:04,260 --> 00:02:09,199 and then gradually the guys came together and we started simplifying the 19 00:02:09,199 --> 00:02:11,320 and gearing it up again for the long haul. 20 00:02:12,369 --> 00:02:16,110 And consequently though, we were so well prepared and the production around us 21 00:02:16,110 --> 00:02:19,730 was so well rehearsed that even the first show went really well. And I 22 00:02:19,730 --> 00:02:23,790 the three of us just exchanging a look on stage of the triumph of having 23 00:02:23,790 --> 00:02:26,650 survived the last five years and everything that it took to bring us to 24 00:02:26,650 --> 00:02:27,650 show. 25 00:02:47,310 --> 00:02:51,830 I think you do get tired of playing certain songs over the course of a tour, 26 00:02:51,910 --> 00:02:54,090 especially songs that you've played for decades. 27 00:02:55,190 --> 00:03:00,470 But this tour, I never got tired of any songs that we played. 28 00:03:00,770 --> 00:03:07,730 I didn't have a song that was on my B -list of songs 29 00:03:07,730 --> 00:03:12,070 to play that night. I just seemed to get off on the whole thing every night. It 30 00:03:12,070 --> 00:03:15,250 was immediately rewarding to see the audiences. 31 00:03:17,419 --> 00:03:23,620 The whole issue of not taking it for granted, which I think you can easily do 32 00:03:23,620 --> 00:03:24,620 something like this. 33 00:03:24,880 --> 00:03:28,140 I just looked at it like this might be the last time I ever played these songs. 34 00:03:29,020 --> 00:03:35,080 And it probably isn't, but I think you have to look at all of life like that. 35 00:03:54,760 --> 00:03:59,240 To create a set list is one of the toughest things. 36 00:03:59,620 --> 00:04:04,040 And what we do is we start with, well, what did we do last? What did we play? 37 00:04:04,080 --> 00:04:06,200 What songs did we play? What songs didn't we play? 38 00:04:06,700 --> 00:04:11,540 And then we put a wish list together of what songs would we like to pull back 39 00:04:11,540 --> 00:04:13,760 out of the past that we haven't played in some time. 40 00:04:14,500 --> 00:04:18,140 And we start emailing potential set lists to each other. 41 00:04:19,079 --> 00:04:20,079 And that's how it starts. 42 00:04:20,560 --> 00:04:23,880 And of course, you know, there's always pressure from fans. 43 00:04:24,260 --> 00:04:29,060 Then Alex and I got together at my house, and we started listening through 44 00:04:29,060 --> 00:04:34,000 all these records. Like, we kind of went through every record going back in 45 00:04:34,000 --> 00:04:37,520 time. I mean, we hadn't done that, maybe ever. 46 00:04:38,480 --> 00:04:43,560 And we sat in my kitchen, played everything back over my computer, and it 47 00:04:43,560 --> 00:04:45,520 kind of fun. We were laughing a lot. 48 00:04:45,870 --> 00:04:49,830 Some songs came back and went, wow, that really sounds good. And some songs came 49 00:04:49,830 --> 00:04:54,710 back and was like, there's no way I can ever play that song again. I'm sorry. I 50 00:04:54,710 --> 00:04:58,750 don't care how much the fans want it. I apologize, but there's no way I can play 51 00:04:58,750 --> 00:04:59,669 it. 52 00:04:59,670 --> 00:05:03,070 And so that's how it starts. And the first set list is about four and a half 53 00:05:03,070 --> 00:05:03,929 hours long. 54 00:05:03,930 --> 00:05:07,850 And then you just start playing it. And sometimes a song that you think will 55 00:05:07,850 --> 00:05:11,970 never work, once you play it, you go, that sounds really good. 56 00:05:12,680 --> 00:05:16,280 What was I thinking? We should definitely play this. And Neil had some 57 00:05:16,280 --> 00:05:18,140 hesitation about certain old songs. 58 00:05:18,400 --> 00:05:22,700 And then once we played them, there was so much spirit and we were smiling so 59 00:05:22,700 --> 00:05:27,000 much that it was like, well, yeah, let's do it. 60 00:05:34,300 --> 00:05:35,300 Oh! 61 00:05:38,400 --> 00:05:39,440 Are you kidding? 62 00:05:39,950 --> 00:05:43,590 We got into bed, and I'm, like, rubbing her. I'm going, I love you, Arlene. I 63 00:05:43,590 --> 00:05:44,549 love you. 64 00:05:44,550 --> 00:05:46,270 And she's like, shut up. 65 00:05:46,870 --> 00:05:48,770 Shut up. I'm trying to sleep. Shut up. 66 00:05:49,050 --> 00:05:55,470 My wife, Charlene, came out to a lot of gigs on this tour, more than 67 00:05:55,470 --> 00:05:56,630 she ever has. 68 00:05:56,990 --> 00:05:58,890 And we had a lot of fun together. 69 00:05:59,510 --> 00:06:00,570 Now something's going. 70 00:06:02,890 --> 00:06:04,030 Stone, I need makeup. 71 00:06:05,210 --> 00:06:06,430 You need more than that, honey. 72 00:06:08,650 --> 00:06:10,050 Even she's yelling at me. 73 00:06:11,370 --> 00:06:12,890 She's hitting. 74 00:06:14,170 --> 00:06:16,550 Ladies don't make with the hitting. Please, ladies. 75 00:06:17,730 --> 00:06:20,730 I'm wandering around my room going, where am I? 76 00:06:21,410 --> 00:06:28,330 I think I must be in... So my limit 77 00:06:28,330 --> 00:06:33,590 is supposed to be 20 grams of carbohydrates a day. I hit about 1 ,200 78 00:06:33,590 --> 00:06:34,590 night. 79 00:06:35,150 --> 00:06:39,240 I woke up... I woke up and I'm like the fattest person I've ever met in my life. 80 00:06:40,080 --> 00:06:41,080 I concur. 81 00:06:41,180 --> 00:06:44,880 I got dressed and touched like, oh, you look like a magician. You spin around, 82 00:06:45,020 --> 00:06:48,900 jumping around like a magician. So I'm still pretty agile for a big, bloated, 83 00:06:48,940 --> 00:06:49,940 fat guy. 84 00:06:53,420 --> 00:06:59,260 How come there's so many eggs? 85 00:07:03,960 --> 00:07:05,080 I don't drink coffee. 86 00:07:05,840 --> 00:07:07,720 Or smoke cigarettes. Or smoke cigarettes. 87 00:07:09,100 --> 00:07:11,120 That's the truth. I quit smoking a year ago. 88 00:07:11,760 --> 00:07:13,940 It's second -hand smoke that I'm worried about. 89 00:07:14,260 --> 00:07:17,200 My second hand, it always has a cigarette in it. 90 00:07:17,840 --> 00:07:19,160 How long are your interviews? 91 00:07:20,120 --> 00:07:21,120 Weeks. 92 00:07:21,600 --> 00:07:22,680 Like three hours? 93 00:07:23,340 --> 00:07:26,720 No. We have a photo shoot for ten minutes. 94 00:07:27,240 --> 00:07:29,440 It's like, you know, paparazzi! 95 00:07:31,080 --> 00:07:32,820 And you go, you stand like this. 96 00:07:36,720 --> 00:07:38,400 By Steven Seagal? Yeah. 97 00:07:39,340 --> 00:07:41,360 I learned from Steven Seagal. 98 00:07:44,960 --> 00:07:47,580 Got my hat on. I'm ready to go do the interview. You should. 99 00:07:48,080 --> 00:07:49,080 All right, I will. 100 00:07:55,700 --> 00:07:56,700 Shut up. 101 00:07:58,020 --> 00:07:59,100 This is monotonous. 102 00:07:59,940 --> 00:08:02,660 Such a play. This is going to be too good. 103 00:08:03,380 --> 00:08:04,400 Welcome to Brazil. 104 00:08:04,880 --> 00:08:08,040 We're going to be able to have a wonderful time here. We're really 105 00:08:08,680 --> 00:08:12,720 So long, like, waiting for you to come down. Well, we were just upstairs. No, 106 00:08:12,720 --> 00:08:14,320 no, waiting for you to come down to Brazil. 107 00:08:15,640 --> 00:08:16,640 Yeah. 108 00:08:17,180 --> 00:08:18,180 Hi, 109 00:08:21,260 --> 00:08:25,780 guys. This is the Brazilian press. 110 00:08:43,540 --> 00:08:44,540 No, no, you got one. 111 00:08:46,380 --> 00:08:47,620 Use your pen. Use your pen. 112 00:08:47,840 --> 00:08:48,840 Okay, 113 00:08:50,100 --> 00:08:51,100 we have to go. 114 00:09:14,010 --> 00:09:20,930 It took us so long to come here because we're 115 00:09:20,930 --> 00:09:21,930 not very smart. 116 00:09:23,510 --> 00:09:27,350 We didn't realize we had so many fans quite frankly. 117 00:09:27,610 --> 00:09:28,790 Where is Neil? 118 00:09:29,370 --> 00:09:31,330 Why isn't he here with you? 119 00:09:32,440 --> 00:09:36,440 Before we started this tour, we had to discuss how we were going to handle 120 00:09:36,440 --> 00:09:37,439 press. 121 00:09:37,440 --> 00:09:42,520 And because of the events in Neil's life and what had gone on, we knew there was 122 00:09:42,520 --> 00:09:47,320 going to be a lot of interest in what had happened and how he's doing. 123 00:09:47,960 --> 00:09:53,120 Most of it, I believe, comes from a good place, but some of it is just pure 124 00:09:53,120 --> 00:09:54,120 curiosity. 125 00:09:55,500 --> 00:09:57,560 And so we talked about it. 126 00:10:00,680 --> 00:10:05,420 So we talked about it, and we had to feel that he could handle it. 127 00:10:06,380 --> 00:10:11,100 And, you know, it's very emotional to talk about that kind of thing. 128 00:10:12,180 --> 00:10:15,680 And it's one thing to talk about that kind of thing with your friends. It's 129 00:10:15,680 --> 00:10:18,660 another thing when you're being asked it over and over and over and over and 130 00:10:18,660 --> 00:10:21,500 over again by people you don't know very well. 131 00:10:23,480 --> 00:10:28,420 And we just believed it was best for him just to not be involved in press. 132 00:10:29,130 --> 00:10:34,570 It was enough for him to come back to play on the record so well and to be a 133 00:10:34,570 --> 00:10:38,690 contributing part of the band again and to even be willing to spend that much 134 00:10:38,690 --> 00:10:39,690 time on the road. 135 00:10:40,250 --> 00:10:43,490 So that's asking a lot of him from where he was. 136 00:10:57,230 --> 00:10:58,350 We're going 137 00:10:58,350 --> 00:11:06,630 to 138 00:11:06,630 --> 00:11:10,210 make airplanes out of beef. 139 00:11:18,310 --> 00:11:20,550 We flew in. 140 00:11:20,970 --> 00:11:24,750 to Porto Alegre the day of the show. Originally we were supposed to come in 141 00:11:24,750 --> 00:11:28,830 night before, and for some reason that wasn't working. 142 00:11:30,030 --> 00:11:34,150 So we flew in, and then we realized halfway through we were in the middle of 143 00:11:34,150 --> 00:11:38,570 tropical storm, and it was pouring rain, and the plane was being tossed around, 144 00:11:38,810 --> 00:11:41,450 and people were very nervous. 145 00:11:42,190 --> 00:11:43,190 Anyway, 146 00:11:43,510 --> 00:11:48,890 we landed fine, and we walked out, and it was pouring like cats and dogs. 147 00:11:49,210 --> 00:11:50,530 And then we thought, oh. 148 00:11:50,920 --> 00:11:53,520 My God, I hope... These are outdoor shows. 149 00:11:54,340 --> 00:11:58,700 Will the show go on? So we got to the venue, and of course, there were 150 00:12:18,750 --> 00:12:20,390 Well, we don't have a monitor console. 151 00:12:21,210 --> 00:12:24,670 The one that we're supposed to have didn't happen. 152 00:12:25,190 --> 00:12:31,930 So best case scenario is that it's put the mix board, the mix 153 00:12:31,930 --> 00:12:36,650 position, side stage, stage left, and Brad will have to mix from there and do 154 00:12:36,650 --> 00:12:37,650 monitors from there. 155 00:12:37,850 --> 00:12:41,970 The stage is completely wet. They're at a standstill right now. They can't do 156 00:12:41,970 --> 00:12:42,970 anything. 157 00:13:21,450 --> 00:13:25,730 Our nightmare started this morning when we came in with so much rain. 158 00:13:27,410 --> 00:13:34,370 We've got basic heavy problems with monitor desks and such 159 00:13:34,370 --> 00:13:35,470 being way too wet. 160 00:13:35,790 --> 00:13:40,570 We've just now got it back. We're doing a line check, and by God, we're going to 161 00:13:40,570 --> 00:13:41,570 have a show. 162 00:13:54,560 --> 00:14:01,120 I can learn to coexist with anything but pain. 163 00:14:01,260 --> 00:14:08,120 I can learn to compromise anything but my 164 00:14:08,120 --> 00:14:14,920 insides. I can learn to get along with all the things I 165 00:14:14,920 --> 00:14:16,400 can't explain. 166 00:14:17,480 --> 00:14:19,440 Well, I think for... 167 00:14:19,710 --> 00:14:24,010 Three tours now, we have this conversation, Alex and I. Wouldn't it be 168 00:14:24,010 --> 00:14:25,010 do something acoustic? 169 00:14:25,590 --> 00:14:31,190 And we talk about it, and somehow or another, we never get around to trying 170 00:14:31,690 --> 00:14:35,150 But when Alex and I were sitting down and listening to all the material and 171 00:14:35,150 --> 00:14:39,730 Resist came on, you know, I said to him, you know, I bet you that would sound 172 00:14:39,730 --> 00:14:44,230 great with a slightly different arrangement, just guitar, because it's a 173 00:14:44,230 --> 00:14:45,230 song anyway, really. 174 00:14:47,000 --> 00:14:50,040 And he said, well, let's try it. And even when we got in rehearsals, we were 175 00:14:50,040 --> 00:14:54,920 kind of delaying trying it, and then finally one day we just said, okay, 176 00:14:55,000 --> 00:14:58,520 come in a half an hour late, we're going to try it. And we felt really odd about 177 00:14:58,520 --> 00:14:59,520 it. 178 00:15:00,100 --> 00:15:04,560 But we kept rehearsing it, and we just loved doing it. 179 00:15:20,890 --> 00:15:24,870 Kenny and Alex had started talking about doing an acoustic version of Resist, 180 00:15:24,970 --> 00:15:28,930 but they were still a bit dodgy about partly the stereotype of doing the 181 00:15:28,930 --> 00:15:33,510 unplugged part of the set that we've always avoided doing the predictable 182 00:15:33,930 --> 00:15:37,830 But I noticed that they had asked me to come in a bit later while they worked on 183 00:15:37,830 --> 00:15:41,110 it, and then one day I remember Alex coming up, it's going to work, it's 184 00:15:41,110 --> 00:15:44,430 to be so great. I was crying, I had tears in my eyes. And then from then on, 185 00:15:44,430 --> 00:15:47,890 actually during the tour, you would often see him at the end of that number, 186 00:15:47,890 --> 00:15:49,770 know, mock wiping away tears. 187 00:15:50,589 --> 00:15:53,050 And they said at the time, you know, if you want to play something acoustic, 188 00:15:53,250 --> 00:15:56,410 play some congas or something. I said, no, that's okay, because it came in the 189 00:15:56,410 --> 00:15:57,570 set right after my solo. 190 00:15:57,970 --> 00:16:01,910 So after that workout, I was quite happy just to sit down in the dark and let 191 00:16:01,910 --> 00:16:03,550 them play for a little while by themselves. 192 00:16:16,270 --> 00:16:18,910 There are songs that come to mean different things to us. 193 00:16:19,200 --> 00:16:23,320 Emotionally, and for instance, I can never play the past without being moved 194 00:16:23,320 --> 00:16:29,400 emotionally for what that song says, not only explicitly lyrically, but what it 195 00:16:29,400 --> 00:16:34,140 conveys musically to me. It's one of our better crafted ones in terms of the 196 00:16:34,140 --> 00:16:39,300 expression of emotion and the expression of restraint, and 197 00:16:39,300 --> 00:16:44,640 there's a certain worldly compassion about that. 198 00:16:45,320 --> 00:16:46,480 That sounds like... 199 00:16:46,810 --> 00:16:49,690 For us over the years, it's always been kind of a sacred time of day. And even 200 00:16:49,690 --> 00:16:52,270 if we were playing two nights in the same building, we'd do a sound check on 201 00:16:52,270 --> 00:16:55,650 second day and at least run through things. It was a kind of a warm -up. 202 00:16:56,590 --> 00:17:01,570 And a lot of times we'd be going into a jam session at the beginning that we 203 00:17:01,570 --> 00:17:05,310 would record and save at the end in mind for good ideas and a lot of times get. 204 00:17:05,630 --> 00:17:09,069 great song ideas from. Other times it can be an opportunity for Alex to do a 205 00:17:09,069 --> 00:17:12,369 monologue that we'll be playing something and he'll step up to the vocal 206 00:17:12,369 --> 00:17:16,790 in his inimitable style he'll deliver a little story about somebody on the crew 207 00:17:16,790 --> 00:17:20,770 or some flight of insanity, you know, that only Lurk could do. 208 00:17:24,569 --> 00:17:29,190 The nature of Rush has always been musicianship first. 209 00:17:29,990 --> 00:17:30,990 Just him. 210 00:17:31,250 --> 00:17:34,950 We always tried to be the best musicians we could and we tried to challenge each 211 00:17:34,950 --> 00:17:36,990 other. And I don't think that's really changed. 212 00:17:37,470 --> 00:17:39,750 I mean, a lot has changed. 213 00:17:39,990 --> 00:17:44,250 Obviously, we've become much better songwriters and song arrangers and 214 00:17:44,250 --> 00:17:48,910 producers, and all those things have taken a more and more important role 215 00:17:48,910 --> 00:17:49,910 through the years. 216 00:17:50,030 --> 00:17:53,370 So that shows your growth and your expanding, but at the core of it, we're 217 00:17:53,370 --> 00:17:55,450 players, we love to play, and we love to play well. 218 00:17:55,670 --> 00:17:59,050 I expect myself to play well, and I expect myself to play better. 219 00:17:59,640 --> 00:18:02,080 and do something better than I did last time. 220 00:18:02,340 --> 00:18:06,500 And that is a natural part of Rush. It's a natural thing that Alex, Neil, and I 221 00:18:06,500 --> 00:18:10,360 share. We want to do things better. That's what drives us. 222 00:18:10,600 --> 00:18:12,180 That's always what's driven us. 223 00:18:17,440 --> 00:18:18,920 Today there was a big rainstorm. 224 00:18:21,560 --> 00:18:24,380 And stuff got broken and wet. 225 00:18:25,900 --> 00:18:29,800 And then our great, excellent, most excellent crew fixed everything, 226 00:18:29,800 --> 00:18:31,380 the rain. They got to stop rain. 227 00:18:31,960 --> 00:18:33,640 So those guys were the best. 228 00:19:20,170 --> 00:19:21,170 Cut your hand. 229 00:19:22,170 --> 00:19:27,370 It's a bit sluggish, but it's a lot better than it was, but it's definitely 230 00:19:27,370 --> 00:19:28,189 healed yet. 231 00:19:28,190 --> 00:19:29,390 Did you find out what was wrong? 232 00:19:30,070 --> 00:19:36,510 Yeah, I have two stretched ligaments on either side of the finger's knuckle, and 233 00:19:36,510 --> 00:19:41,870 they're way stretched and way falling, and they're making mobility. 234 00:19:43,070 --> 00:19:46,990 They're taking the strength and mobility away from the finger, which is my main 235 00:19:46,990 --> 00:19:47,990 problem. 236 00:19:48,780 --> 00:19:49,780 noisy bastard. 237 00:20:17,290 --> 00:20:19,430 I feel so happy for these fans. They waited so long. 238 00:20:20,090 --> 00:20:22,050 I want to give them the best show we can do. 239 00:20:22,530 --> 00:20:25,170 I just want to send them home happy after all this time. 240 00:20:27,570 --> 00:20:29,430 I mean, look, they come out so early. 241 00:20:29,650 --> 00:20:33,310 They wait three hours, and they're screaming already. 242 00:20:38,110 --> 00:20:41,750 This perfect city has lost most of its magical South American ass. 243 00:20:43,670 --> 00:20:46,170 That's Florianopolis. That's one that they told us. 244 00:20:46,480 --> 00:20:47,480 Love you, too. 245 00:21:23,150 --> 00:21:27,230 For me, I like to warm up for a half hour or so before the show. 246 00:21:27,470 --> 00:21:32,750 I find even 10 minutes is beneficial to get the fingers moving. 247 00:21:33,390 --> 00:21:37,350 I've had some problems with my hands with psoriasis, and they get a little 248 00:21:37,350 --> 00:21:42,630 swollen, so I need to do that warm -up to clear it out a little bit. 249 00:21:57,520 --> 00:22:01,460 And I think you just continue watching. Watching baseball, that loosens me up. 250 00:22:01,640 --> 00:22:06,280 Baseball is good. It gets my hands ready, and it gets my mind right. 251 00:22:07,160 --> 00:22:08,640 So that's my woman. 252 00:22:08,900 --> 00:22:12,340 And then, of course, I have to put on my clothes, which is strenuous. Very 253 00:22:12,340 --> 00:22:17,520 difficult. Changing my shoes. Well, yeah, changing my shoes is really 254 00:22:44,200 --> 00:22:51,000 Neil warms up for about 20 minutes really, you know, a real serious. Yeah, 255 00:22:51,000 --> 00:22:55,640 out. Does an all out, you know, 20 minute drum solo kind of thing. 256 00:22:55,920 --> 00:22:57,860 Just to make sure that he's loose. 257 00:22:58,920 --> 00:22:59,920 Oh, and soup. 258 00:23:00,660 --> 00:23:02,400 We have soup every day. 259 00:23:03,820 --> 00:23:07,920 Usually before sound check. Yeah, before sound check we have to come in and have 260 00:23:07,920 --> 00:23:10,340 soup. And that is really important. 261 00:23:11,470 --> 00:23:15,670 And we, you know, we talk, and sometimes we don't talk. 262 00:23:16,050 --> 00:23:17,370 But we still have soup. 263 00:23:17,650 --> 00:23:19,830 Yeah, we still have soup, and we have that. 264 00:23:20,130 --> 00:23:22,530 Sometimes we could talk or not talk for hours. 265 00:23:22,810 --> 00:23:26,750 Yeah. And sometimes we have soup after we have soup. 266 00:23:27,590 --> 00:23:29,510 So we'll have two soups. Yeah. 267 00:23:43,880 --> 00:23:46,920 Every day I have the soup. I don't think we could have got through that tour 268 00:23:46,920 --> 00:23:47,920 without the soup. 269 00:24:28,409 --> 00:24:34,250 Thinking about this foreign country I've never been to before, on the other side 270 00:24:34,250 --> 00:24:35,250 of the world. 271 00:24:37,810 --> 00:24:43,230 The fact that we have this opportunity to play for a lot of fans that we never 272 00:24:43,230 --> 00:24:44,230 knew we had there. 273 00:24:46,730 --> 00:24:48,270 The wrapping up of the tour. 274 00:24:50,130 --> 00:24:53,210 The work that went into the album that preceded the tour. 275 00:24:54,270 --> 00:24:56,310 Time off that we had for five years. 276 00:24:56,780 --> 00:24:57,780 Both good and bad. 277 00:24:59,280 --> 00:25:01,380 Where we were at on the previous tour. 278 00:25:01,780 --> 00:25:05,440 Like all those things were going through my head. 279 00:26:30,760 --> 00:26:35,800 The new stuff from Vapor Troll, I think, was really the most exciting stuff to 280 00:26:35,800 --> 00:26:40,260 play, and it's always like that, you know, the newer material is always more 281 00:26:40,260 --> 00:26:42,100 enjoyable to play. 282 00:26:42,380 --> 00:26:45,660 Earthshine was a great song to play, nice and heavy. 283 00:26:45,960 --> 00:26:52,220 You know, the old standards, like Tom Sawyer and Limelight, you know, they're 284 00:26:52,220 --> 00:26:53,240 always a lot of fun. 285 00:26:54,120 --> 00:26:58,300 By tour, we probably stopped playing around 78, I would guess. 286 00:26:59,770 --> 00:27:03,850 77, 78, something like that. I wanted to play that for a long time. 287 00:27:04,090 --> 00:27:09,870 You know, it was always a favorite. I think it's a really good representative 288 00:27:09,870 --> 00:27:12,210 song of Rush in the early days. 289 00:27:12,510 --> 00:27:17,150 So I was really pleased that we were, you know, resurrecting it for this tour. 290 00:27:17,550 --> 00:27:24,290 The video stuff that was done for it, the animated battle between Vitor and 291 00:27:24,290 --> 00:27:28,750 snow dogs, was quite humorous. You know, you could... 292 00:27:29,520 --> 00:27:32,460 He's playing the song, and you can see people laughing in the audience. 293 00:27:32,660 --> 00:27:33,760 And that's so great to see. 294 00:27:34,420 --> 00:27:37,780 You wouldn't think that you'd want people laughing in your audience, but 295 00:27:37,780 --> 00:27:44,600 definitely it's, you know, I want it to be fun going through the show. 296 00:28:06,860 --> 00:28:07,860 Welcome. 297 00:29:09,190 --> 00:29:11,230 Okay, thanks everybody. 298 00:29:11,530 --> 00:29:12,530 See you later. 299 00:29:26,730 --> 00:29:33,130 When the hoax of Russian Brazil came on to us, 300 00:29:33,270 --> 00:29:39,530 the Brazilian fans fastly tried to gather 301 00:29:39,530 --> 00:29:43,030 on the purpose of meeting them. 302 00:29:44,630 --> 00:29:51,490 All music was perfect for the lyrics. It inspired me in so many ways 303 00:29:51,490 --> 00:29:52,490 that I... 304 00:29:52,500 --> 00:29:53,760 Oppression and such stuff. 305 00:29:53,980 --> 00:29:54,959 Yes, yes. 306 00:29:54,960 --> 00:29:55,839 It's everything. 307 00:29:55,840 --> 00:29:56,840 The world is everything. 308 00:29:57,540 --> 00:29:58,540 Which country are you going to? 309 00:29:59,540 --> 00:30:00,620 Rio and Sao Paulo. 310 00:30:00,940 --> 00:30:03,360 If I had my money, I would go to Porto Alegre too. 311 00:31:37,360 --> 00:31:38,360 All my presents. 312 00:31:39,860 --> 00:31:40,860 I'll tell you. 313 00:31:45,900 --> 00:31:48,260 Jews must have a hell of a time with their hair in it. 314 00:31:48,680 --> 00:31:49,680 Fine. 315 00:31:52,300 --> 00:31:53,560 I'll get for Jewish hair. 316 00:31:55,380 --> 00:31:56,760 I'll get the frizzies immediately. 317 00:31:59,120 --> 00:32:01,120 How many fucking nails have I broken? 318 00:32:01,700 --> 00:32:03,740 I don't think these shapes will be there. 319 00:32:12,210 --> 00:32:13,210 Hardly much rain. 320 00:32:13,770 --> 00:32:18,170 Well. I mean, it came, like, in buckets for about five, ten minutes. Oh, did it? 321 00:32:18,210 --> 00:32:22,030 And it's been, like, misting, like, I don't think we've seen the last of it, 322 00:32:22,030 --> 00:32:24,370 I do see blue sky there. 323 00:32:24,910 --> 00:32:26,690 Better than it was earlier. Yeah, let's hope. 324 00:32:27,030 --> 00:32:28,030 Definitely. 325 00:32:32,650 --> 00:32:34,190 Hello, sir. How are you? 326 00:32:35,850 --> 00:32:36,829 I'm fine. 327 00:32:36,830 --> 00:32:37,830 Did you have a good day? 328 00:32:38,210 --> 00:32:39,510 No, but I'm still fine. 329 00:32:40,690 --> 00:32:41,690 No problem? 330 00:32:41,900 --> 00:32:42,900 Plenty of problems. 331 00:32:43,180 --> 00:32:47,960 Did the board crank up okay? Well, yeah, until we basically lost power. 332 00:32:48,580 --> 00:32:51,300 So everything lost power? 333 00:32:51,560 --> 00:32:57,100 No, just the audio. What we've got is we have bad cabling that they brought in. 334 00:32:57,160 --> 00:33:00,240 We have bad insulation on the joint. 335 00:33:00,940 --> 00:33:05,560 Rubbed together our fire extinguisher. Now we're waiting. I mean, we do 336 00:33:05,560 --> 00:33:08,400 everything so that we're safe for tonight. 337 00:33:08,740 --> 00:33:10,200 And then we're going to... 338 00:33:11,180 --> 00:33:14,480 So what are we looking at? We're still wiring the stage. 339 00:33:14,800 --> 00:33:18,660 Okay. You know, I mean, it's going to be a while. Okay, that's fine. I just want 340 00:33:18,660 --> 00:33:20,200 to know. Where's your hat? 341 00:33:21,860 --> 00:33:22,860 Where's your hat? 342 00:33:23,000 --> 00:33:25,480 I should have a hat asking for money. 343 00:33:26,440 --> 00:33:29,540 You look like you should be on the beach at Rio trying to make a few bucks. 344 00:33:38,840 --> 00:33:39,719 Go on. 345 00:33:39,720 --> 00:33:42,170 Throw this. poor beggar a few coins, would you? 346 00:33:42,550 --> 00:33:45,330 He can't even afford full pants like everybody else. 347 00:33:47,510 --> 00:33:49,270 Merce is my oldest and dearest friend. 348 00:33:51,630 --> 00:33:53,970 He's the funniest man I've ever met in my life. 349 00:33:54,350 --> 00:33:57,950 I don't expect I'll ever meet a funnier person than him, ever. 350 00:33:58,990 --> 00:34:05,550 He's an incredibly emotional guy, so he can be rational one second, and the next 351 00:34:05,550 --> 00:34:08,030 minute he can be completely irrational. 352 00:34:09,179 --> 00:34:11,580 Very sharp in a very scientific way. 353 00:34:11,780 --> 00:34:17,600 And as a player, he's not kind of a methodical player. He's a very 354 00:34:17,600 --> 00:34:18,600 player. 355 00:34:19,020 --> 00:34:22,780 He can write things without thinking about them. 356 00:34:23,360 --> 00:34:27,800 That felt like I got a real taste for civilian culture. Right. 357 00:34:28,219 --> 00:34:31,880 I really had a great day. It was nice to get out of the hotel. I was feeling so 358 00:34:31,880 --> 00:34:32,880 claustrophobic. 359 00:34:34,219 --> 00:34:35,659 Well, I'll tell you, like all of us, 360 00:34:36,780 --> 00:34:42,320 a lovable mass of contradictions, as we all are, and we can all be goofy as can 361 00:34:42,320 --> 00:34:46,139 be, and we can be serious and get down to it, and Geddy particularly, when he's 362 00:34:46,139 --> 00:34:51,260 constructing arrangements or working on vocal parts, he enters that narrow zone 363 00:34:51,260 --> 00:34:52,260 of concentration. 364 00:34:52,440 --> 00:34:57,380 But at the same time, he's crazy for sports and baseball, but we share so 365 00:34:57,380 --> 00:34:58,380 interests. 366 00:34:58,610 --> 00:35:03,190 in art and literature and even bird watching the two of us can talk about 367 00:35:03,190 --> 00:35:08,970 time to time. All of us have these broad ranging interests and facets to 368 00:35:08,970 --> 00:35:12,270 personalities that in the case of the three of us at least just happen to mesh 369 00:35:12,270 --> 00:35:16,750 so well that we entertain each other and we stimulate each other and more than 370 00:35:16,750 --> 00:35:20,650 that the work actually gets done by the combination of methods that we all have. 371 00:35:29,260 --> 00:35:30,500 I left a bag in the van. 372 00:35:31,440 --> 00:35:36,240 Alfredo, I left a bag in the van that I came in. Is it still here? 373 00:35:36,680 --> 00:35:38,640 It's my stage shoes for tonight. 374 00:35:39,760 --> 00:35:43,100 Pete, did you get that black bag out of the van? 375 00:35:43,980 --> 00:35:44,839 Black bag? 376 00:35:44,840 --> 00:35:46,380 I left a black bag in the van. 377 00:35:49,780 --> 00:35:54,360 Looking for the shoes is not really a documentary issue here. 378 00:35:56,480 --> 00:36:01,280 Well, Neil is a very different guy. People build up this impression of him 379 00:36:01,280 --> 00:36:05,740 he's this real serious, brainiac guy, and he freaks people out when they come 380 00:36:05,740 --> 00:36:11,340 try to talk to him, but he's just a normal guy. He's just got a big brain, 381 00:36:11,340 --> 00:36:12,660 he can be as goofy as anybody. 382 00:36:12,960 --> 00:36:16,260 He's just a great guy to hang out with and a great guy to talk to about 383 00:36:16,260 --> 00:36:17,260 anything. 384 00:36:18,120 --> 00:36:24,440 And here we have my new team, the Porto Alegre team. 385 00:36:26,060 --> 00:36:31,760 Of course, if I were to wear it, the San Paolo team fans would kill me. 386 00:36:33,380 --> 00:36:34,380 So forget it. 387 00:36:34,820 --> 00:36:35,820 Just forget it. 388 00:36:37,460 --> 00:36:38,460 That's groovy, yeah? 389 00:36:38,500 --> 00:36:40,020 What is that for? That's security. 390 00:36:40,420 --> 00:36:41,540 Vigilancia. I'm tired. 391 00:36:41,920 --> 00:36:44,800 Security guy gave it to me before we got in the car. That was really cool. 392 00:36:45,800 --> 00:36:46,759 Nice man. 393 00:36:46,760 --> 00:36:47,760 Thank you, man. 394 00:36:48,120 --> 00:36:49,920 Okay, I have to go to the washroom now. 395 00:36:50,920 --> 00:36:52,120 We don't need that part. 396 00:38:06,490 --> 00:38:10,810 Well, the venues in Brazil are so huge, in São Paulo and Rio, they're just huge, 397 00:38:10,950 --> 00:38:14,950 and they're historic, because that's where the great matches, you know, it's 398 00:38:14,950 --> 00:38:16,670 about football there, soccer. 399 00:38:18,830 --> 00:38:23,370 Being Canadians, you know, it's not that well -versed in there. 400 00:38:24,230 --> 00:38:27,890 soccer history, and everyone's waiting for an opportunity to talk about soccer. 401 00:38:28,270 --> 00:38:35,110 So to play those venues, in their mind, that's a great honor to play at the site 402 00:38:35,110 --> 00:38:37,930 of the great soccer victories for the Brazilian team. 403 00:38:38,130 --> 00:38:39,130 So that was kind of cool. 404 00:38:44,810 --> 00:38:48,610 I suddenly realized how huge the stadium was. 405 00:38:49,170 --> 00:38:55,300 It was just one section, because You took in the whole stadium. It didn't 406 00:38:55,300 --> 00:38:57,340 that big, you know. It just seemed like a stadium. 407 00:38:57,580 --> 00:39:02,800 But when you looked at a section, and it had, you know, like 600 seats in that 408 00:39:02,800 --> 00:39:03,800 section, 409 00:39:06,500 --> 00:39:10,160 and the seats were tiny, you realized how big this place was. 410 00:39:11,840 --> 00:39:13,380 So it was great. 411 00:39:48,819 --> 00:39:54,840 Normally before the show we do a short, what we call a meet and greet, which is 412 00:39:54,840 --> 00:40:00,800 just, you know, you take ten minutes out and meet some hardcore fans that have 413 00:40:00,800 --> 00:40:04,300 won contests, and it means a lot to them to spend a few minutes chatting with 414 00:40:04,300 --> 00:40:10,300 them, so we try to do that on a nightly basis and spread some good karma around, 415 00:40:10,460 --> 00:40:11,460 kind of. 416 00:40:11,520 --> 00:40:16,340 And so we did the same thing in Brazil. We got to meet some of the fans. 417 00:40:22,320 --> 00:40:23,660 I am fan since 1995. 418 00:40:24,580 --> 00:40:30,640 And I can't explain what I'm feeling now because it's not only music. 419 00:40:30,940 --> 00:40:36,360 They teach us so many lessons with their songs. 420 00:40:36,920 --> 00:40:39,020 And there is another thing. 421 00:40:39,620 --> 00:40:43,040 I'm a drummer and I'm a third fan. 422 00:40:43,300 --> 00:40:48,860 We love them all and we'd like them to come back. 423 00:40:49,120 --> 00:40:50,640 It's a great show in Brazil. 424 00:40:51,130 --> 00:40:53,690 And they will come back and I will be here too. 425 00:40:53,990 --> 00:40:55,170 I will be here again. 426 00:40:55,790 --> 00:40:59,410 Russia is our best band in the world. 427 00:41:00,230 --> 00:41:02,470 A lot of thanks because you came to Brazil. 428 00:41:02,810 --> 00:41:08,070 It's a hope. It's a very, very... A long time we were expecting you here. 429 00:41:09,030 --> 00:41:11,410 It's a great expectation for all these fans. 430 00:41:11,650 --> 00:41:15,250 And I hope you have a great time here and come back a lot of times. 431 00:41:15,840 --> 00:41:18,260 There's three guys that sound like 20 guys on stage. 432 00:41:18,760 --> 00:41:20,660 They can do better than an orchestra. 433 00:41:21,000 --> 00:41:24,840 They're really enjoying themselves, not looking like robots, you know, trying to 434 00:41:24,840 --> 00:41:26,420 go to effects and stuff. 435 00:41:26,640 --> 00:41:29,080 You really see they are really enjoying the music. 436 00:41:29,380 --> 00:41:35,580 The band, it's my musical inspiration, and music in my life is very, very 437 00:41:35,580 --> 00:41:37,060 important. It's my heart, my soul. 438 00:41:37,500 --> 00:41:42,280 And these guys, they mean happiness for me, you know? 439 00:41:42,820 --> 00:41:44,640 And the songs, they're wonderful. 440 00:41:44,920 --> 00:41:46,580 And you guys are the best. 441 00:41:46,960 --> 00:41:50,300 The best. Thank you. Thank you for changing my life so much. 442 00:41:50,900 --> 00:41:52,900 We love Louis with all of our heart. 443 00:41:53,320 --> 00:41:57,740 And the fans will enjoy the show forever. 444 00:41:58,040 --> 00:42:01,740 It's great that at least they have a chance to come here. At least once, you 445 00:42:01,740 --> 00:42:05,600 know. I don't know about the future, but at least they came here once, you know. 446 00:42:05,600 --> 00:42:07,220 And people are so happy. 447 00:43:01,630 --> 00:43:06,590 That power show was one of the most dramatic shows in our entire career 448 00:43:06,710 --> 00:43:09,810 For one thing, by far the largest audience we've ever played to anywhere. 449 00:43:10,350 --> 00:43:14,610 And I think in my memory, the only time we've actually played in pouring rain, 450 00:43:14,750 --> 00:43:18,270 not only was it pouring, but it was blowing in straight on us. My electronic 451 00:43:18,270 --> 00:43:23,690 midi marimba ceased functioning, and I would hit it and nothing would happen or 452 00:43:23,690 --> 00:43:27,750 some totally unrelated sound. So I'm restructuring my parts as we go. 453 00:43:28,250 --> 00:43:32,530 And the crew's scrambling around beside me trying to get it going, and meanwhile 454 00:43:32,530 --> 00:43:36,290 I'm just departing from it. Okay, it's not going to work accepting that 455 00:43:38,130 --> 00:43:39,250 It was just awful. 456 00:44:03,050 --> 00:44:07,170 When we went to Mexico, we had no idea that song was so popular in Latin 457 00:44:07,170 --> 00:44:08,170 America. 458 00:44:08,310 --> 00:44:10,010 And so we hadn't prepared it. 459 00:44:10,230 --> 00:44:14,790 In Mexico City, we rehearsed it that afternoon, played it like a lot of 460 00:44:15,170 --> 00:44:18,710 and then just played it that night, and it worked out. 461 00:44:18,990 --> 00:44:22,290 We were a little more prepared in Brazil, because at least we knew we were 462 00:44:22,290 --> 00:44:26,410 to have to play it a few days before, so we rehearsed it in sound checks. 463 00:44:27,050 --> 00:44:29,710 I was listening to my solo from last tour, and thought, well, I'm not really 464 00:44:29,710 --> 00:44:33,090 finished with that framework yet. And there was still a development that I 465 00:44:33,090 --> 00:44:35,910 have done there, but then I thought, no, it's been five years, I really want to 466 00:44:35,910 --> 00:44:38,910 start fresh. So I kept some elements of it, but put them in a whole different 467 00:44:38,910 --> 00:44:42,170 configuration, just in the framework that I dreamed up. 468 00:44:42,430 --> 00:44:45,970 And there's some things about it that are autobiographical, there are parts of 469 00:44:45,970 --> 00:44:49,030 that solo that have always been in my drum solo, and parts that are fresh. 470 00:44:49,500 --> 00:44:51,160 every tour in parts that are fresh every night. 471 00:44:51,360 --> 00:44:55,200 It's designed to be kind of my little experimental area, stuff that I'm 472 00:44:55,200 --> 00:44:59,200 interested in. The history of drumming is in there, from rudimental drumming to 473 00:44:59,200 --> 00:45:01,360 African drumming to jazz drumming, rock drumming. 474 00:45:02,400 --> 00:45:06,940 And there are parallel stories being told, I guess, is something that I try 475 00:45:06,940 --> 00:45:11,040 get at. So it's not just an exhibition to me. I want it to have a framework 476 00:45:11,040 --> 00:45:14,380 a listener's point of view that will understand there are threads of 477 00:45:14,380 --> 00:45:15,380 going on here. 478 00:46:58,540 --> 00:47:04,840 Well, the Rio show was an amazing feat of endurance from our road crew's point 479 00:47:04,840 --> 00:47:09,300 of view. I mean, if ever I believed they were the greatest crew in the world, it 480 00:47:09,300 --> 00:47:11,400 was proven on that last show in Rio. 481 00:47:11,760 --> 00:47:13,280 Our crew didn't get in. 482 00:47:13,540 --> 00:47:17,120 I don't think they got into the hotel until about 12 in the afternoon. 483 00:47:17,340 --> 00:47:21,740 And usually when we start to set up a show, they're in about 7 in the morning 484 00:47:21,740 --> 00:47:25,400 the venue starting the first trucks. But I don't think the first piece of gear 485 00:47:25,400 --> 00:47:27,540 hit the stage until about 2 o 'clock in the afternoon. 486 00:47:28,500 --> 00:47:35,360 So for them to get the show up in time to do a show at 10 o 'clock at night was 487 00:47:35,360 --> 00:47:36,360 just unbelievable. 488 00:48:32,300 --> 00:48:38,420 It was a very, very tense day, and it was clear that we were not going to get 489 00:48:38,420 --> 00:48:44,940 sound check that day. So here we are, big 490 00:48:44,940 --> 00:48:47,460 show in Rio. 491 00:48:48,200 --> 00:48:49,200 We're filming it. 492 00:48:51,300 --> 00:48:56,860 We're recording it, and there's no sound check out front, which I don't think 493 00:48:56,860 --> 00:49:00,200 was a big deal because we've already done 70 shows, and we knew we could pull 494 00:49:00,200 --> 00:49:01,200 out. 495 00:49:01,480 --> 00:49:03,480 But no check for the soundtrack. 496 00:49:03,860 --> 00:49:06,160 No check for the film people. 497 00:49:06,940 --> 00:49:09,120 I mean, when we hit the stage, that was it. 498 00:49:09,460 --> 00:49:12,480 Cameras better work or all goes for naught. 499 00:49:13,100 --> 00:49:16,380 It's actually going to be kind of a fun thing. The show's going to just get set 500 00:49:16,380 --> 00:49:17,520 up in time to start. 501 00:49:18,040 --> 00:49:20,420 So it's going to have a whole different dynamic to it. 502 00:49:29,420 --> 00:49:30,420 It's been... 503 00:49:31,310 --> 00:49:38,010 A fascinating time working with these guys, seeing the growth of the band over 504 00:49:38,010 --> 00:49:44,550 all of these years since 1976 into a situation where we're in Brazil now 505 00:49:44,550 --> 00:49:50,790 massive stadiums, particularly last night in Sao Paulo where they played the 506 00:49:50,790 --> 00:49:54,650 ,000 people, which in fact was the biggest show in the history of Russia. 507 00:50:12,080 --> 00:50:15,580 There is such a great rock following here in Brazil. 508 00:50:15,820 --> 00:50:20,160 Rock music and what Rush does is a great match. 509 00:50:20,560 --> 00:50:26,080 And as a result of that, consistently in the polls, year on year for the last 10 510 00:50:26,080 --> 00:50:29,060 years, it's been Rush, Rush and more Rush. 511 00:50:35,420 --> 00:50:40,080 The trucks were so late arriving from Sao Paulo to Rio that it was a question 512 00:50:40,080 --> 00:50:41,440 even if the show could go off. 513 00:50:41,660 --> 00:50:43,220 anywhere near close to time. 514 00:50:43,500 --> 00:50:47,160 And yeah, they were setting up right till a minute before we walked on stage, 515 00:50:47,160 --> 00:50:48,920 think. So it was about as... 516 00:50:49,700 --> 00:50:53,260 against the odds, as you can imagine, but it was, again, the measure of 517 00:50:53,260 --> 00:50:58,220 professionalism and good spirit. I remember my drum tech, Lauren, coming in 518 00:50:58,220 --> 00:51:01,060 before, everything's all right, and the meeting room is working, you know, and 519 00:51:01,060 --> 00:51:05,620 there was this sense of conquering adversity and carrying on regardless. 520 00:51:05,620 --> 00:51:09,640 was the spirit the three of us had, and sure enough, that spread down through 521 00:51:09,640 --> 00:51:14,940 the crew as well. I am a big fan, a real big fan, maybe one of the oldest fans 522 00:51:14,940 --> 00:51:15,980 of Rush in Brazil. 523 00:51:16,590 --> 00:51:21,830 Because when we could get no records of that band, my father had one, and I 524 00:51:21,830 --> 00:51:26,050 could listen to Spirit of the Radio, and I got the whole spirit. 525 00:51:58,860 --> 00:52:02,380 The last show, too, is a sense of grand finale. You want it to be triumphant. 526 00:52:02,420 --> 00:52:05,360 You want it to be great. It's something you're going to remember and carry away 527 00:52:05,360 --> 00:52:09,540 with you as a souvenir of it. So, yeah, in addition to the cameras, in addition 528 00:52:09,540 --> 00:52:13,060 to the recording truck, there's always the sense that we wanted a souvenir that 529 00:52:13,060 --> 00:52:14,720 was going to be satisfying and memorable. 530 00:52:18,660 --> 00:52:23,180 We know and the audience knows that we're playing songs that we want to play 531 00:52:23,180 --> 00:52:25,140 songs that we're proud of and that we enjoy playing. 532 00:52:25,550 --> 00:52:28,750 And that has to convey itself, I think, to the audience, that we're never, ever 533 00:52:28,750 --> 00:52:29,830 just going through the motions. 534 00:52:47,250 --> 00:52:53,210 It means so much to us to do it well. 535 00:52:53,580 --> 00:52:56,620 But I think also that has to reach the audience, but they know we can't. 536 00:53:05,640 --> 00:53:10,080 So why do you think this tour was so easy and so smooth, David? 537 00:53:11,360 --> 00:53:15,740 Easier than the soup, yeah. The soup made it a lot easier for us. 538 00:53:18,790 --> 00:53:21,910 Yeah, that's about it. I don't think we could have played as well as we did 539 00:53:21,910 --> 00:53:22,910 without that soup. 540 00:53:23,070 --> 00:53:28,050 No, we're not joking. That soup was so good. 541 00:53:28,470 --> 00:53:29,470 You have no idea. 542 00:53:56,910 --> 00:53:59,070 I think I have a shrimp caught in between my teeth. 543 00:53:59,930 --> 00:54:00,930 What's a shrimp caught? 544 00:54:05,510 --> 00:54:11,270 Is that something they sleep on? 545 00:54:12,370 --> 00:54:14,390 When they're like having a little nap? 546 00:54:14,950 --> 00:54:16,730 Because they are a shrimp.